The End of the Last Act

Exhibited at Fourth Wall Project and Gallery 263, Boston, MA

The End of the Last Act is a digitally immersive installation that reinterprets Greek tragedy through new media, transforming the gallery into a living stage where narrative and audience converge. Exhibited at Fourth Wall Project and Gallery 263 in Boston, MA, the work casts viewers directly into cycles of tragedy, resistance, and catharsis (katharsis in ancient Greek tragedy). By merging classical narrative with digital distortion, it revisits timeless themes of fate and defiance, reframing ancient struggles as enduring and contemporary. The female figure’s fated, tragic end becomes a reflection of ongoing societal and systemic constraints.

The installation becomes not just a meditation on technological breakdown and haunting visibility, but a potent metaphor for the cumulative, inescapable weight of systemic oppression across generations. Even as defiance fades into abstraction, what remains is a complex allure—a tragic persistence—capturing the uneasy beauty and spectral presence of those destined to endure and resist amid collapse.

The work studies digital discomfort—pixelated beauty emerges from technological malfunction, human presence absorbed in visual noise yet transformed into a haunting spectral trace. ach re-recording more visually and audibly distorted than the last. This deepening abstraction grows heavier—an echo of historical trauma and the burden of time, increasingly obscuring the figure’s identity as her protest subsides into spectral beauty.

The installation examines how fate and systemic structures remain inescapable across eras — from ancient Greece to the digital present.

• The female protagonist, echoing Antigone, embodies resistance, defiance, and vulnerability, her repeated deaths dramatizing the impossibility of escape from inherited constraints.

• Each playback becomes a study in obscurity and endurance — the technological fragmentation mirroring the erosion of self amid the passage of time and the persistence of systemic barriers.

For a Dreamer Lives Forever

Installed at Emerald Necklace Parkland, Boston, Massachusetts

World of Simulacra

Presented at the Museum of Fine Arts, Boston

• A 13-CHANNEL MULTISCREEN VISUAL & SOUND EXPERIENTIAL ART installation

• PRESENTED AT THE MUSEUM OF FINE ARTS in BOSTON, MA.

•   BORROWING THEORY & INSPIRATION FROM TIQUQUIN, MANGOLD/KAYSEN, AND PERSONAL EXPERIENCE

RANDOMLY GENERATED SEQUENCES OF VIDEOS PLAY ON 12 SCREENS, MERGING THE CINEMA SCREEN WITH THE COMPUTER SCREEN. CHALLENGING PASSIVE VIEWING OF SPECTACULAR AND ROMANTICIZED HOLLYWOOD DELUSIONS & NOISE. A REFELCETION ON Preliminary Materials for a Theory of the Young-GirLL.
The main screen played PInk Noise, an original montage while 12 computer screen around it randomly played sequences of 6 montages each sharing themes of siulacra, hollywood and media delsissons and growing angst and disaluusion, tet based glothes and everyday found footage merged with cimetaic classic moments.